论法国喜歌剧《卡门》的悲从何来

【作者】 张岩；

【导师】 韩乃舜；

【作者基本信息】 青岛大学 ， 艺术硕士（专业学位）， 2017， 硕士

【摘要】 著名歌剧《卡门》是19世纪法国歌剧坛上一颗璀璨的星宿,一座不倒的丰碑,更成就了法国著名作曲家比才,这部即喜即悲的歌剧创作使其靡声世界。此歌剧的主线以悲剧的故事情节展开,以女主角烟厂女工卡门的死亡而悲情落幕,由此可见,悲情作为线索贯穿全剧,悲和喜是对立存在的。问题是而《卡门》这部歌剧,在法国歌剧历史中是以喜歌剧定义的,虽说当时已出现了悲喜交加的悲喜剧,但《卡门》却以opera comique冠名,即法国喜歌剧,总而言之不论是喜还是悲,所有的歌剧剧情发展是落足于人物主线之间的矛盾和戏剧之间的冲突,由此我们可以通过此文的潜述,将了解到作为法国喜歌剧的《卡门》中悲从何而来。更多还原

【Abstract】 The famous opera "Carmen" is a bright nineteenth Century French opera on the altar of the stars,not a monument,but the achievements of the famous French composer,this is like the tragic opera creation the extravagant sound world.The main line of this opera in the tragic story,the heroine of Carmen’s death factory workers and tragic ending,so tragic as the clue throughout the play,there is the opposite of sorrow and joy.The problem is that the "Carmen" of the opera,the French opera history is based on the definition of the comic opera,even though there have been bittersweet tragicomedy,but "Carmen" is to opera Comique title,namely French comic opera,after all whether it is happy or sad,all the drama is the conflict between the development of song focused on the contradiction between the main character and drama,so we can through the potential of this article,will learn as France’s comic opera "Carmen" in Sorrow come from.更多还原